441 Records Corporation is proud to announce the launch
of a new label imprint, TEST OF TIME Records. In the
modern recording era, it has become increasingly rare
for quality collections of superbly preserved projects
to be presented to the public. One such series of remaining
rarities is the East Wind Masterpiece Collection line
from Japan. 441 Records Corporation now introduces on
Compact Disc some of the best sounding Jazz from the
late ‘70s on its new TEST OF TIME trademark that
will feature over thirty important, fantastic recordings,
starting in late March 2005.
TEST OF TIME recordings are being released in the United
States in CD format for the first time. These titles
simply have not been available. The collection includes
works by jazz greats such as Art
Farmer, The
Great Jazz Trio, Andrew
Hill, Hank Jones, Sheila
Jordan, Al Haig, Sadao Watanabe, Joe Sample, Junior
Mance, Don Friedman and many others. East Wind presented
one of the most complete collection of recordings by
The
Great Jazz Trio, which we will now make available.
Commented Harvey Rosen, President of 441 Records, “We
are very excited to bring timeless recordings of excellent
quality that were engineered and packaged with great
care to discriminating jazz fans in the U.S. Even after
30 years, these titles definitely stand on their own.
They have clearly withstood the test of time.”
Hommage
was the first and reportedly only solo piano effort
ever by Andrew
Hill. It is a rare and unique effort, elegant and
challenging still today. At
The Village Vanguard is a live recording that documents
the historic performance by the dreamteam trio of Hank
Jones, Ron Carter and Tony Williams that defined the
group that became known as The
Great Jazz Trio. Yesterday’s Thoughts is mostly
a ballad effort by Art
Farmer, who shows off his fluegelhorn mastery and
is backed up by Cedar Walton, Sam Jones and Billy Higgins.
Confirmation is Sheila
Jordan’s second album recorded after Portrait
of Sheila Jordan in 1962 for Blue Note.
East Wind was formed in 1975 as a joint venture between
Nippon Phonogram (a Japanese subsidiary of Philips’
record division Phonogram) and Ai Music. During its
five years of operations, 72 albums were recorded and
released featuring well-known and highly respected jazz
artists from both Japan and the United States in the
highest audio quality possible. The quality was not
limited to just audio. The intent was to elevate the
entire process of creating quality jazz records and,
to that end, some of the then top designers and top
photographers in Japan were used for album artwork.
Many of the staff associated with the East Wind label
went on to have very productive careers in the industry.
One of its founders and producer for many titles, Yasohachi
“88” Itoh, later joined Sony Music in 1978
and has made major contributions toward Sony’s
SACD development efforts and the design and operation
of Sony’s multimillion dollar recording studio
located in Tokyo. He has produced over 350 records and
has been associated with 3,000 albums. He currently
produces jazz albums for his label “Eighty-Eight’s”
in association with Village Records in Japan. 441 Records
licenses and distributes some of Eighty-Eight’s
titles in the United States. Other producers of the
East Wind line included Kiyoshi Itoh, Toshinari Koinuma
and Nobuya Itoh.
The majority of the albums were engineered by the late
David
Baker, a highly skilled engineer who was Chief Engineer
at Vanguard Records at the time. Upon his untimely death
in 2004, he had more than 2,000 recordings to his engineering
and production credit that spanned 40 years covering
all genres of music. His refined perfectionist’s
recording techniques influenced many young engineers
working on East Wind line, including Yoshihiro Suzuki,
who also now works at Sony Music Studios with Yasohachi
“88” Itoh.
All the CDs from the East Wind Masterpiece Collection
now being released by TEST OF TIME have been upgraded
and digitally remastered using a process called the
Direct Stream Digital (DSD) mastering process. In this
process, analog signal from the original master tape
is passed through an A/D converter resulting in a 1-bit
DSD signal that was sampled at an astonishing 2,822,400
samples per second. This means 64 times the sampling
frequency of standard Compact Disc. All editing, including
song spacing and equalization, is done in the DSD domain
using a special digital workstation, called Sonoma,
developed by Sony Music. After equalization, the signal
was converted from the 1-bit DSD format to 16-bit PCM
using a high performance D/D converter made by dCS,
a manufacturer of high-end, professional audio digital
conversion products. The result is more than just superb
frequency response and dynamic range. It brings to life
the original masters.
The first releases of TEST OF TIME will be available
in stores such as Barnes & Noble, Borders and Tower
Records in late March and early April.